Όλα τα τελευταία νέα για τη Μουσική Τεχνολογία και την Ακουστική, κατευθείαν από τις επίσημες ιστοσελίδες των εταιρειών, συγκεντρωμένα σε ένα blog!

WNAMM13: The Keyboard Amp Reinvented

Alto Professional introduces the Kick12 and Kick15


Alto Professional has introduced the Kick12 and Kick15 four-channel 400-Watt instrument amplifier/PA systems which they say represent a new and more powerful amplifier design for keyboardists, drummers, and anyone in need of a personal PA. They tell us that both feature class-leading wattage, a true bi-amped design, a custom-tuned electronic crossover, and an integrated four-channel mixer with built-in Alesis effects. They say that every component has been optimized for maximum efficiency, giving keyboardists a choice between two modern amplifiers that sound amazing, are lightweight, and are built to reliably perform at the highest level gig after gig.

Paul Gallo, Alto Professional Product Manager, told us, "We felt the keyboard amp was a neglected category. So we started from scratch, using the components and technology we think today's musicians expect. With the Kick12 and Kick15, people will hear the difference immediately."

Here's the full details in Alto's own words...

Unlike competing products that recycle the same outdated technology, the Kick12 and Kick15 each incorporate modern circuitry. Their true bi-amped designs provide 400 Watts of peak power. The Kick12 and Kick15 are both multifunctional amplifier systems, able to be used in a wide variety of applications. Both offer a four-channel mixer with stereo line inputs, effects, high and low EQ controls on all four channels, and an XLR input on Channel 1. Stereo RCA inputs for connecting MP3 players and other audio devices are also included.

The Kick12 and Kick15 each employ a custom-designed and tuned crossover that splits the incoming signal with razor-sharp precision--no highs to overwork the woofer, and no lows get lost in the tweeter. A kickstand on the back of the cabinet also allows the amp to be placed at an angle to allow for the best monitoring position when the user is seated at a keyboard or drum kit.
The Kick12 and Kick15 come packed with 16 essential Alesis DSP effects, including delay, flanger, chorus, and multiple reverbs. Each effect has 16 different variations, giving musicians a total of 256 effect presets to choose from. A footswitch input allows for instant activation or bypass of effects during performances (footswitch not included).

Pricing and Availability:
TBC

More information:
Alto

WNAMM13: Roland Introduces Stereo Mic For Field Recording

The CS-15RS is designed to match portable stereo recorders


Although field recorders use built-in mics for an all-in-one approach to recording, you sometimes need the flexibility and improved directional accuracy of a Cardioid microphone. For serious field recording, Roland says that the CS-15RS cardioid-type stereo microphone is a great match for their portable recorders such as the CD-2u, SD-2u, R-26, and R-05. It can be powered by an internal battery, or via the recorder's Plug In Power jack for mobile convenience. Bundled accessories include a desktop stand, windscreen, ¼-inch conversion cable, and a handheld grip that doubles as a mic stand mount.

A spokesperson told us, "Featuring a flat, wide frequency response for accurate, high-quality sound, the CS-15RS brings added flexibility when using your Roland recorder in remote applications. For recording sound effects and audio capture on video shoots, the cardioid pattern provides pinpoint audio pickup, with excellent rejection of off-axis sounds. To record large acoustic instrument ensembles, elevate and center the CS-15RS above the group to capture a wide stereo soundstage."

Pricing and Availability:
TBC

More information:
Roland

WNAMM 2013: Sonoma Wire Works Announces Android Low Latency Audio Solution

Latency down to approximately 20 milliseconds


Sonoma Wire Works have developed a low latency audio (LLA) solution for Android devices. Typical input to output latency on Android devices is between 100 and 250 milliseconds but Sonoma Wire Works tells us that their LLA solution brings latency down to approximately 20 milliseconds.

Doug Wright, president of Sonoma Wire Works, told Sonic State, "Musicians have been clamoring for a fix for high latency on Android. Sonoma Wire Works is proud to offer a solution that can broaden the device options for mobile music production."

Latency is the time it takes for sound to go into a system and back out. Low latency is essential to musicians if they want to use a device for real-time processing (e.g. guitar amp models and effects or input monitoring during recording). Latency above 25 ms is generally considered too high for input monitoring and live effects. Sonoma Wire Works says that their LLA solution achieves low latency on Android with analog input to output measurements comparable to what is currently available on iOS.

Pricing and Availability:
Sonoma Wire Works' LLA solution for Android is available for license
to device manufacturers.

More information:
Sonoma

WNAMM13: AKG Updates The C1000 S

AKG releases mk4 version of their small diaphragm condenser mic


AKG has released its updated C1000 S multipurpose condenser microphone. They say that the high-performance small-diaphragm microphone is ideally suited for recording and live sound applications for drum overheads, pianos and acoustic instruments.

Thomas Umbauer, Product manager PPA, AKG, told Sonic State, "AKG's C1000 S is an efficient workhorse in the engineer's rig that provides high-quality sound the audio industry has expected from AKG over the past 65 years. We've put the C1000 S through rigorous testing in multiple scenarios and added more clever features such as the humidity proof gold capsule housing and gold plated XLR-pins. The microphone can take a beating on tour and still consistently provide perfect sound during any event."

Here's what AKG has to say about the new version:

The nearly indestructible condenser has a sturdy metal chassis and specialized mic clip to keep the units securely attached to stands. The C1000 S's gold capsule and XLR plugs make it humidity-proof for all environments.

Rather than relying on an expensive 9V block battery, the C1000 S mk IV now runs on two AA batteries at 120h and offers two gain settings, three frequency settings and two polar patters: cardioid and hypercardioid. For mobile broadcast use and interview situations, C1000 S offers more versatility than ever before.

Pricing and Availability:
The AKG C1000S mk4 will ship in Q1 2013 at a price to be confirmed.

More information:
AKG

WNAMM13: Cakewalk Releases Vintage Compressor Emulation In VST And AU Formats

CA-2A T-Type Leveling Amplifier is compatible with SONAR and other DAWs



Cakewalk has announced the CA-2A T-Type Leveling Amplifier, with support for VST, Audio Units, and SONAR X2 Producer's ProChannel. They tell us that this legendary vintage electro-optical tube compressor has been meticulously modeled and crafted by their expert developers to deliver the classic, highly desirable sound heard on countless platinum recordings.

"With the CA-2A, we are excited to bring this critically acclaimed DSP technology to a broader range of musicians," says Cakewalk Product Manager, Brian Desmond. "The response from the SONAR and Reason user base has been overwhelmingly positive, so it made perfect sense to make the CA-2A available to all VST or AU compatible DAWs."

Here's Cakewalk's press statement with all the details...

Since the 1960s, professional engineers have relied on the unique characteristics of this tube-based compressor to work its magic on an array of different types of tracks. Cakewalk developers modeled this unit and originally made it available as a ProChannel module in their flagship DAW, SONAR, and then in late 2012 released the RE-2A version as a Propellerhead Rack Extension. Now with the announcement of the CA-2A, musicians, producers, and engineers can use this highly regarded DSP technology in any VST or AU compatible DAW - at a fraction of the cost and with all the modern technological conveniences.

The CA-2A is suitable for just about any audio material, but it particularly excels on vocal tracks, producing transparent musical results, while preserving the dynamic performance. It also sounds great on electric and acoustic guitars including bass instruments, as well as piano, wind instruments and other tracks needing a smooth rich texture.

Cakewalk developers have put a great deal of effort into the research and development of the CA-2A, and the plugin gets its legendary sound from a variety of different factors. Depending on the incoming program material, the modeled T4 circuit uses an electroluminescent panel to determine the exact attack time (around 10 milliseconds,) and an optical photo cell to determine the release time; all while carefully modeling the amplifier's tubes and electro-optical device – just like the original hardware unit. The CA-2A also includes a Fast Resetting Photocell Memory feature that will allow the processor to respond with more agility than the original hardware unit when needed on material such as drums and slap bass.

In addition, the compressor serves as a "soft-knee" type slope with a fixed attack time of 10 milliseconds and a two-stage program-dependent release structure which results in warm analogue character. Unlike typical dynamics processors that have a fixed compression ratio across all frequencies, the CA-2A gain reduction varies at different frequencies. It also features an R37 control, true to the original hardware, where the compressors responsiveness to high frequencies can be adjusted. The R37 control has been a secret trick for many world-class engineers who use it as a natural de-esser- on vocals.

Cakewalk engineers have also implemented a side-chain function in the CA-2A, allowing the compressor to react to program material from one track, and apply it to another. This is an improvement that many mixing engineers will find useful for a wide variety of use cases, such as ducking or pumping of synth sounds in EDM.

Feature Highlights:

  • Meticulously modeled.
  • With only a few simple controls, it's easy to use and provides instant gratification.
  • Warm, smooth and natural sounding compression characteristics.
  • Frequency-dependent gain reduction.
  • Compressor and Limiter modes.
  • Up to 40 dB of smooth gain reduction.
  • Sidechain input for ducking, de-essing and pumping.
  • Gain reduction CV output to modulate other effects.
  • Zero latency for real-time tracking and mixing.
  • Fully modeled "R37" HF Pre-emphasis control.
  • VST, Audio Units & ProChannel compatible.

Pricing and Availability:
The CA-2A T-Type Leveling Amplifier will be available in late January for $99/£79/€99 and includes VST, AU, and ProChannel Module formats. Customers who previously purchased the PC2A (ProChannel Module) format can upgrade for $19.99/£15.99/€19.99 on the Cakewalk Store. F

More information:
Cakewalk

WNAMM13: Tip Top Audio New Modules

Drums and sequencers


Winter NAMM 2013 - Tip Top Audio:

We got a look at their range of 808 and 909 drum modules which are careful recreations of the original individual analog voices from the classic machines in single voice Eurorack units

We also got a look at their innovative Trigger Pilot clock divider sequencer, and the Circadian Rhythm step sequencer.

More Information
http://www.tiptopaudio.com/

WNAMM13: Boomstar Modules - Video

Studio Electronics show the first production modules


Winter NAMM 2013 - Studio Electronics Boomstar

Noisebug were showing the new Studio Electronics Boomstar range and we caught up with Marc St Regis who gave us a look at at three Boomstar models, and a look at the case of the SEM version.

The basic synth model is the same, but the filter section is different on each of the four models:

  • 4075-classic Arp 2600
  • 5089-classic Moog 24db ladder
  • SEM-classic Oberheim 12db
  • 303-classic Roland TB.

Production has started on all but the SEM and are priced at $899

More Information
StudioElectronics.com

WNAMM13: Portable USB Interfaces With MIDAS Preamps

BEHRINGER launches four U-PHORIA models


BEHRINGER has introduced four new USB audio interfaces that they say span the needs of professional engineers on the go, home project studios and musicians looking for an affordable yet high-performance input to their favorite recording software. U-PHORIA models include the UM2, built around BEHRINGER's ultra-low-noise XENYX mic preamps and the high-end UM22, UMC202 and UMC204 that feature the sonic purity of MIDAS-designed mic pres. All models include professional-grade +48 V Phantom Power for use with condenser microphones.

BEHRINGER says that the UMC202 (2 x 2) and UMC204 (2 x 4) employ high-precision 24-Bit/96 kHz digital converters for the highest possible quality encoding and playback of analog audio. They tell us that both models include dual mic/line/instrument inputs and an array of controls demanded in professional applications. The UMC22 and UM2 offer a single mic input and one instrument input and are ideally suited to recording on the go with a laptop. All units feature high-speed USB 2.0 interfaces for the ultimate in connectivity and stability.

Compatible with many popular software packages including Avid Pro Tools, Ableton Live, Steinberg Cubase, and others, BEHRINGER is also offering a massive recording, editing and podcasting software bundle as a free download. They say that, with virtual instruments and effects plug-ins included in the bundle, all you need to do is connect your mic and instrument and start laying down tracks.

A spokesperson told us, "All U-PHORIA Series models provide powerful phones output with Level control and Direct Monitor select, Status, Signal and Clip LEDs. They are powered via the user's USB port, making them as portable as a laptop. A rugged aluminum chassis can hold up to the rigors of stage use or repeated tossing into a computer bag."

Pricing and Availability:
TBC

More information:
Behringer

WNAMM13: Tascam Announces New USB Interfaces

US-322 and US-366 offer onboard DSP mixer and effects


TASCAM tells us that the US-322 and US-366 combine compelling new technologies like on-board digital mixers (DSP Mixer) and on-board digital effects (DSP Effects) along with advances on the US-122mkII and US-144mkII interfaces. They say that the US-322 and US-366 sport similar aluminum casings for the same rugged reliability plus new improved HDDA (High Definition Discrete Architecture) mic press, which offer a wider frequency response (10Hz to 68kHz), high S/N ratio (98dB), low EIN (-120dBu) and low THD+N (0.0045%) - qualities that TASCAM believes are rarely achieved in interfaces this affordable. Here's the full details in TASCAM's own words...

These all-new interfaces boast low S/N ratio, low THD and the US-366 flaunts 24bit/192kHz recording; certifying these as the best sounding interfaces to be released by TASCAM yet. The 2-in/2-out US-322 features 1 Mic XLR/Line-Guitar TRS input, 1 Mic XLR/Line TRS input, 2 Line TRS and 2 Line RCA outputs. The 6-in/4-out or 4-in/6-out US-366 adds 2 Line RCA inputs and 1 Digital RCA/Optical input/output. One click of the top-loaded "Mixer Panel" button will access TASCAM's new mixing console screen and on-board insert/send effects for easy-to-use, versatile recording. The digital mixer offers two operational modes, multi-track mode and stereo-mix mode.

After months of organized tests by TASCAM's esteemed engineers and R&D department, the new TASCAM interfaces are guaranteed to offer new luxuries, reliability and value not found before in competing models. TASCAM's US-322 and US-366 are bundled with Cubase LE6, feature easy-to-use controls, amazing quality, and feature-rich technology, advantages sure to please professional and amateur recording artists alike.

US-322 and US-366 Common Features

  • 2 - XLR mic inputs with HDDA mic pres and +48V phantom power
  • On-board digital mixer - "Multi-track mode" or "Stereo mix mode" selectable
  • On-board Insert Effects: Compressor, EQ On-board Send Effects:Reverb
  • Low latency monitoring
  • Prepared for Internet broadcasting and movie file creating/editing (Stereo Mix Mode)
  • Dedicated monitor mixing (Multi-Track Mode)
  • Mixer panel provides users intuitive operation on PC for sound mixing and activating effects.
  • MON MIX volume provides easy operation for adjusting level balance from external devices and PC.
  • Output selector for each output; selectable between internal mixer output and PC sound.
  • 2 balanced XLR microphone/TRS line inputs. L channel can be switched to Guitar Input for high-impedance support.
  • TRS balanced Line Outputs
  • 1/4" TRS headphone output
  • USB 2.0 bus-powered
  • Cubase LE6 is included
  • Windows XP, Windows 7 and Windows 8 support
  • Mac OSX Snow Leopard, Lion, and Mountain Lion support

US-322 Only

  • 2-in/2-out USB audio interface
  • Up to 24bit/96kHz recording
  • RCA line outputs (Signal is the same as the TRS balanced line outputs)

US-366 Only

  • 6-in/4-out or 4-in/6-out USB interface depending on the setting of line 3 and line 4.
  • Up to 24bit/192kHz recording
  • RCA or optical digital input
  • RCA and optical digital output
  • REMOTE connector: The DAW transport can be controlled by an optional remote controller, RC-3F: foot switch.

Pricing and Availability:
US-322 ESP: $149.99
US-366 ESP: $199.99

More information:
Tascam

WNAMM13: Lexicon Reduces Plug-in Prices

The whole line-up gets streamlined


Lexicon has announced that effective immediately it is offering new, lower prices on its audio plug-ins. In addition, the company is streamlining its lineup to focus on the five core plug-in bundles: the PCM Total Bundle, PCM Native Reverb Plug-In Bundle, PCM Native Effects Bundle, LXP Native Reverb Bundleand MXP Native Reverb Bundle.

Noel Larson, Market Manager-Portable PA, Tour and Recording at HARMAN Signal Processing, told Sonic State, "By simplifying our plug-ins lineup, we're making it easier for users to choose the right plug-in for their needs. We have also implemented significant price reductions. Our award-winning Lexicon reverbs and effects are the industry standard and with our new pricing, Lexicon sound quality is now available to more pro and project studios and enthusiast users than ever before."

The current Lexicon plug-ins lineup is as follows:

  • PCM Total Bundle – 14 VST®/AU/RTAS® reverb and effects plug-ins, New SRP: $999
  • PCM Native Reverb Plug-In Bundle – seven VST/AU/RTAS reverb plug-ins, New SRP: $599
  • PCM Native Effects Plug-In Bundle – seven VST/AU/RTAS effects plug-ins, New SRP: $499
  • LXP Native Reverb Plug-In Bundle – four VST/AU/RTAS reverb plug-ins, New SRP: $199
  • MXP Native Reverb Plug-In Bundle – VST/AU/RS reverb plug-in, New SRP: $99

The plug-ins offer a wide variety of legendary Lexicon reverbs and effects like Vintage Plate, Hall, Room, Concert Hall and other hallmark Lexicon reverbs, and effects that run the gamut from Pitch Shift, Chorus, Dual Delay and Resonant Chords to other completely unique sounds. All the plug-ins are designed to work with popular DAWs like Pro Tools and Logic, as well as with any other VST, Audio Unit™ or RTAS-compatible platform and with Windows and Macintosh computers.

Pricing and Availability:
See main text

More information:
www.lexiconpro.com

WNAMM13: Stompbox Provides LIve Effects For Singers

DigiTech introduces the Vocalist Live FX Effect Processor


DigiTech has introduced its Vocalist Live FX vocal effect processor. They tell us that the Vocalist Live FX features over 65 effects, studio quality sound and live adapt listening technologies designed to give performers the ability to immediately adapt to cues in the room, a band, and the singer.

Scott Klimt, marketing manager for DigiTech, told Sonic State, "We designed the Vocalist Live FX to help support singers by producing amazing vocal effects right out of the box that will empower their performances. Vocal performers will immediately benefit from the easy-to-use studio-quality effects and the industry's most advanced live listening technologies."

Here's more details directly from Digitech...

The Vocalist Live FX provides professional-quality effects with built-in Lexicon reverb and dbx compression and AFS. Providing a greater level of control for performers, the Vocalist Live FX also features an anti-feedback setting and live adapt capability which provides a built-in microphone for tempo assist, pitch assist, and smart gate using DigiTech's proven vocal technologies.

The Vocalist Live FX is designed to enhance and improve virtually every element of a vocal performance. A sound check button automatically tests the presets for current room acoustics and the built-in Mic Pre+ allows the singer to engage their channel strip with the press of a button so they can sound great almost instantly. The unit also offers phantom power for the addition of condenser microphones.

Pricing and Availability:
The Vocalist Live FX will be available in April 2013 with an MSRP of $349.95.

More information:
Digitech

WNAMM13: Behringer Updates Their 8-Channel Interface

New ADA8200 8-In x 8-Out ADAT interface builds on the legacy of the ADA8000


BEHRINGER says that, continuing an ongoing research and development cycle that sees them bringing in the best and brightest from its sister-companies, the new ADA8200 features MIDAS mic preamps, as well as a host of other new and powerful features.

The ADA8200 is a state-of-the-art, 8-channel A/D and D/A converter with 8 onboard MIDAS-designed mic preamps. Users can connect their favorite mics, including studio-grade condensers thanks to built-in true +48 V power, and record directly to a multi-track or computer-based recorder via the built-in ADAT interface. Digital to analog and analog to digital conversion takes place accurately and instantaneously via reference-class Cirrus Logic 24-bit converters, with the user's choice of either 44.1 or 48 kHz resolution.

Connections are provided for balanced XLR and ¼" TRS, as well as unbalanced ¼" TS inputs. Line Out connectors provide either balanced or unbalanced connectivity. Digital I/O is handled via optical socket, supporting up to 8 channels of data.

A spokesperson told Sonic State, "As with its predecessor, the new ADA8200 brings incredible value and high performance -- with upgraded MIDAS mic preamps -- into a piece of go-to gear."

Features:

  • Ultra-high quality 8-channel A/D and D/A interface for virtually any digital recording/mixing environment
  • 8 state-of-the-art MIDAS designed Mic Preamplifiers
  • Phantom power on all microphone inputs
  • Reference-class Cirrus Logic 24-bit converters for ultimate signal integrity
  • Processes 48 and 44.1 kHz sample rates
  • External sample rate synchronization via word clock or ADAT input
  • Optical ADAT in/out interface for ultimate compatibility
  • All mic/line inputs routed to the ADAT output
  • ADAT input routed to all Line outputs
  • "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

Pricing and Availability:
TBC

More information:
Behringer

WNAMM13: New Tascam Portastudios

DP-006 and DP-008EX Pocketstudios launched at the show


TASCAM has announced the DP-006 6-Channel and DP-008EX 8-Channel effects-fueled POCKETSTUDIOs. Here's the details in their own words...

The DP-006 is the most compact solid-state multi-track recorder on the market. TASCAM equipped it with 6-channels (2 Mono and 2 Stereo/Mono), selectable track modes, built-in high-quality stereo condenser mics and 2 mic/line inputs. This recorder will easily fit into any gig bag, pocket or suitcase.

To take it a step further, TASCAM is introducing the DP-008EX 8-channel POCKETSTUDIO with built-in input and master effects. Each channel is conveniently loaded with volume, pan, reverb-send knobs, auto-punch in/out, 2 XLR Mic inputs with +48V phantom power and built-in high-quality stereo condenser mics making the DP-008EX an ideal take-anywhere solid-state recorder.

Both units come with a 2GB SD card for reliable recording and mini-USB for easy file transfer. To keep things simple TASCAM installed both units with the same user-interface they have been perfecting for years. These recorders allow any artist to record high-quality audio with ease so no focus is lost on what's most important, the song.

Features include:

DP-006

  • 6-track Portable Multi-track Recorder
  • CD-Quality Recording (44.1kHz/16-bit)
  • Easy, Intuitive User interface
  • Built-in High-quality Stereo Condenser Microphone
  • Two Mic/Line inputs
  • Compact size and ultra light weight (360g/0.79lb without batteries)
  • Dedicated Level and Pan/Balance controls per track
  • Recording media: SD/SDHC card up to 32GB (2GB SD card included)
  • Recording: 2 tracks simultaneous
  • Playback: 6 tracks simultaneously
  • Power: Four AA batteries or optional AC adapter (PS-P520), optional external battery pack(BP-6AA)
  • Graphic LCD (128 x 64 dots)
  • Chromatic Tuner/Metronome
  • USB 2.0 Connection for Wav File import/export (Stereo and Mono)
  • Undo/Redo (includes Undo history)
  • Tripod socket hole
  • Auto punch in/out
  • Footswitch input
  • Dedicated stereo mix-down track

DP-008EX

  • 8-track Portable Multi-track Recorder
  • CD-Quality Recording (44.1kHz/16-bit)
  • Easy, Intuitive User interface
  • Built-in High-quality Stereo Condenser Microphone
  • Two XLR mic/line with +48V Phantom Power
  • Compact size and ultra light weight (610g/1.34lb without batteries)
  • Dedicated Level, Pan and Reverb-send knobs per track
  • Recording media: SD/SDHC card up to 32GB (2GB SD card included)
  • Recoding: 2 tracks simultaneously
  • Playback: 8 tracks simultaneously
  • Power: Four AA batteries or optional AC adapter(PS-P520), optional external battery pack(BP-6AA)
  • Graphic LCD (128 x 64 dots) with backlight
  • Chromatic Tuner/Metronome
  • USB 2.0 Connection for Wav File import/export (Stereo and Mono)
  • Undo/Redo (include Undo history)
  • On-board mastering effects (Compressor/EQ/Normalize)
  • Simple mastering wizard (Auto Analysis Mastering) – for easy mastering
  • Input effects (compressor, exciter, de-esser)
  • 2 band EQ per track and 2 band input EQ for recording
  • Auto punch in/out
  • Footswitch input
  • Dedicated stereo mix-down track

Pricing and Availability:
TBC

More information:
Tascam

WNAMM13: Teenage Engineering - What The Heck Is That?

Cloud speaker explained


Winter NAMM 2013 - Teenage Engineering:

Fresh from CES, or maybe not so fresh - I've not been but I understand it's hell on earth, Teenage Engineering were showing their new Cloud Speaker. A stylish (read expensive) speaker with independent cloud audio playback from an as yet unspecified sound source. It has some interesting design aspects, as you'd expect from the Swedish design team.

I dont know if I'll be ordering one personally.

More Information
TeenageEngineering.com

WNAMM13: CME Mini USB Keyboard With Poly Aftertouch - Video

XKey Full size keys and poly aftertouch


Winter NAMM 2013 - CME XKey

CME have been quiet of late, but thanks to a tip off from MIDIFan, our Chinese friend we went to take a look at something special they'd just announced.

CME Ceo Zhao Yitian gave us a look at their new class compliant portable, slimline USB keyboard which has unique full-size, poly pressure enabled velocity sensitive switch style keys. Housed in an Apple keyboard like aluminium case, its got a very small footprint and will work with any class compliant device including iPad.

Available soon, priced at $99.

More Information
CME

WNAMM13: Massive Moog 55 Modular - Video

Bob Moog Foundation with Mark Doty


Winter NAMM 2013- Bob Moog Foundation

One of the synth highlights of this year was the opportunity to see a truly massive Moog modular series 55 system. This one is part of Eric Norlander's legendary Wall of Doom, that he kindly lent to be used for the Bob Moog Foundation stand.

Add one Mark Doty - who's known for his good synth work and now works for the Bob Moog Foundation archives and we can have a synth-fest.

More Information
http://moogfoundation.org/

WNAMM13: Dave Smith Instruments Prophet 12 - Video

12 voices, four oscillatore per voice - massive.


Winter NAMM 2013 - Dave Smith Instruments Prophet 12:

Dave and the team were a little coy about this one, with news coming out only at the last minute, maybe something due to the vast experience Dave Smith has at NAMM, as we've noted before, his offspring MIDI is now 30 years old.

But the Prophet 12 - is a beast, with features take from the DSI range as well as some stuff from the Tempest - such as two pressure sensitive sliders and a beautiful OLED display, its got a lot to offer.

Dave Smith himself gave us a look and listen at the new Prophet 12.

Available in the Spring at $3000

More Information
DaveSmithInstruments.com

WNAMM13: Behringer X32 Range - Video

Four new digital mixers


Winter NAMM 2013 - Behringer

The Behringer X32 Digital Mixer really blew us away when we reviewed it last year. The features available at the price were really impressive. This show Behringer introduced four new models for the range:

X32 Compact $2499

X32 Producer $1999

X32 Rack $1499

X32 Core $999

More Information
Behringer.com

WNAMM13: Nektar P4 Cubase Integration - Video

We get a look a the way it works


Winter NAMM 2013:

Last year we saw the first Nektar P4 and its integration with Reason. This year we have more keyboard sizes, the desktop P1 and Cubase Vst integration. The level of control and integration enables the player to focus on the keyboard, the playing and not the screen or the mouse.

Tim Chandler, product developer for the Nektar range took us through some of the features of the new Nektar firmware update.

More Information
Nektartech.com

WNAMM13: Presonus New Products Roundup Video

PA Speakers, studio monitors and StudioLive 32


Winter NAMM 2013:

We stopped by at the Presonus booth to check out some of their 10 new products announced at the show. Whats really new for this one is loudspeakers. First up the studio monitors, there are two forms, the Eris range with bi-amped active design and also the Sceptre CoActual co-axial models. These have dual concentric speakers - with the bass driver and tweeter combined into a single unit and 32 bit DSP processing for excellent stereo imaging.

On the PA side, the new AI Active Integration series bring studio quality output on stage with wireless and USB connection for remote control of the DSP functions for ultimate control.

The StudioLive digital mixing console range also gets a major addition with the StudioLive 32.4.2AI Digital Mixing System with a a dual-core computing engine that packs over 64 times the processing power and an incredible 10,000 times more RAM than the previous top-of-the-line StudioLive 24.4.2. Its sophisticated, integral communications also makes possible wireless control of the mixer without requiring an external computer.

For more details on all these products: Presonus.com

WNAMM13: The State of Bitwig - Video

We have a chat with the developers


Winter NAMM 2013:

Bitwig have a booth! That in itself is a Big Thing. After their initial flurry of interest surrounding the announcement of their new hybrid DAW which promised so much, things have been a little quiet. This is something they want to remedy, so having a booth means they can show some builds actually working. In this case running on Windows 8, but there is parity between OSX and more importantly Linux.

We had a chat with about the roadmap and progress.

And we got a release date - sort of - its going to be this year, probably Summer.

More Information
Bitwig.com

WNAMM13: Pittsburgh Modular Cell Starter Racks Video

Nicely cased mini modular systems


Winter NAMM 2013:

We had a spare moment to drop by the Noisebug booth, where Pittsburgh Modular were showing their new strater systems.

The new Cell range come in a variety of rack sizes and configurations, and are ideal to get you started in the world of synth modular action.

Cell 48 and Cell 90 systems are available in a variety of configurations.

More Information
PittsburghModular.com

WNAMM13: Keith McMillen QuNExus Video

We take a look at another kickstarter hit


Winter NAMM 2013:

Another nifty multi-facetted controller from KMI, this one has all the usual XY and pressure response, but also includes some cool CV and Gate functions. With one CV/Gate and two additional CV outputs the QuNexus can be used just as a MIDI/CV and CV/MIDI interface too. With CV input, you can turn the incoming input into MIDI data, manipulate it, then send it back out again for some awesome modular or analog action.

The price of $150 street, its hard to think of a reason NOT to have one, even if its just for the MIDI/CV features alone.

Interesting stuff.

More Information
KeithMcMillen.com

WNAMM13:Nord Electro 4 Video

It's red, very red.


Winter NAMM 2013 Anaheim:

The Nord Electro 4 had its first US outing this show and Thomas from Clavia gave us a look at the new stage keyboard.

  • Three models
  • Nord C2D B3 tone wheel simulation NEW
  • Improved Key Click and Percussion NEW
  • 122 Rotary Speaker simulation NEW
  • Vox and Farfisa organ simulations
  • Nord Piano Library compatible
  • String Resonance (Gen 1)
  • Long Release 
  • Nord Sample Library compatible
  • Powerful Effect section
  • 4 Live Locations/Program Banks
  • Extended Control Pedal Support
  • USB MIDI NEW
  • 2X Memory for Nord Sound Libraries (Electro 4 SW73/HP Only) NEW

More Information
Clavia.se

WNAMM13: Looking At Ableton Push - Video

Live 9 integration


At Winter NAMM 2013, In a secret hotel location, we were ushered into the relative silence of the demo suite that Ableton had setup to show off their new Ableton Push Instrument. I say instrument, as this is so much more than a regular controller. Designed to let you get creative with Live without the need for mousing or a screen, its a playable set of pads and controls together with LED display that lets you create tracks, and jam in a unique way.

I'll let Dennis take over - watch the video....

More Information
Ableton.com

WNAMM13: New Casio Privia PX5S Video

Synth powerhouse, piano and controller


Winter NAMM 2013 Anaheim:

You've no doubt seen the teaser photo and press release for Casio's new Privia PX5S.

You'd be understandably be forgiven for maybe passing it over in search of more obvious synth stuff, but its worth a look.

The power of the synth engine gives you 256 voices - with four HEX layer voices (6 layers, effects filter), you also get the Privia piano voices and 88 key Tri-sensor, Scaled Hammer Action II. There's also the MIDI controller aspect, with four zones, which can also work over the MIDI ports OR the USB port separately, means you can control some iPad or laptop based voices in addition to the 256 you have on board.

A few other nice touches complete the package, and from what I heard in the flesh the sound is pretty impressive.

Available soon $999 street.

WNAMM13: Aphex Build Processing Into A Condenser Mic

Microphone X USB mic has compression, Aural Exciter and more


Aphex has introduced their Microphone X, which they describe as 'a high-quality cardioid condenser USB microphone that comes complete with integrated analog processing including optical compression and Aphex's famous Aural Exciter and Big Bottom, and HeadPod 4 technology.'

A spokesperson told Sonic State, "The Microphone X is configured to put all of the key analog processing used for recording the voice before the conversion to digital, thereby ensuring the best possible recording quality. And all of this processing power is controllable, with input trim, headphone output level and individual controls for the Aural Exciter and Big Bottom levels. Each of the processors has its own on/off control. Users record a perfectly optimized signal right into their DAW via USB. No other USB microphone combines this feature set. The Aphex Microphone X puts everything users need to make exceptional sounding spoken-word and vocal music recordings right at their fingertips."

Pricing and Availability:
TBC

More information:
www.aphex.com

WNAMM13: New Audio-Technica USB Condenser Mic

Audio-Technica unveils the AT2020USB+


Audio-Technica has introduced the AT2020USB+ Cardioid Condenser Microphone. They say that, equipped with a USB output, this microphone is designed for digitally capturing music or any acoustic audio source employing users' favorite recording software. They tell us that the AT2020USB+ offers studio-quality articulation and intelligibility perfect for home studio recording, field recording, podcasting and voiceover use.

A spokesperson told Sonic State, "The AT2020USB+ features a built-in headphone jack with volume control that allows users to directly monitor their microphone signal in real time, and a built-in high-output internal headphone amplifier that delivers superior clarity. The microphone also offers mix control that can blend the microphone's signal with pre-recorded audio (perfect for DJ/karaoke use). The unit's cardioid pickup pattern delivers excellent off-axis rejection, while its A/D converter, with a 16-bit 44.1/48 kHz sampling rate, ensures extremely articulate sound reproduction."

The microphone is compatible with Windows 7, Vista, XP and 2000, and Mac OS X. It is powered from a USB Bus and includes a tripod desk stand, stand mount, USB cable and soft protective carrying pouch.

Pricing and Availability:
The AT2020USB+ will be available February 2013 with a U.S. MSRP of $279.00.

More information:
A-T

WNAMM13: Wheelharp Up Close Video

From Antiquity Music


Downstairs in Hall E is an interesting place at Namm... it's where you find the smaller stands, and companies with more 'experimental' products on display.

And one such product was the Wheelharp, from LA-based company Antiquity Music. Looking like a cross between a piece of antique furniture, a steampunk prop from the Van Helsing movie, and a hurry-gurdy, it is most definitely in pole position for the strangest and possibly most wondrous instrument of the show so far...

We grabbed a quick run-through with creator Mitchell Manger - enjoy!

WNAMM13: JBL Announces Flagship Large-Format Studio Monitor

M2 Master Reference Monitor integrates 'super drivers' and patented technologies


Responding to the call for greater accuracy and dynamic range in music and post-production control rooms,JBL Professional is introducing the M2 Master Reference Monitor that they say for the first time makes world-class, large-format monitoring feasible in a wide range of rooms. The largest speaker in their studio monitor line, JBL tells us the M2 integrates new JBL transducer technologies and patented innovations in a free-standing, 2-way system that can be placed in any production environment and tuned to provide a superior level of accuracy and performance. Here's the details in JBL's own words...

The M2 Master Reference Monitor design leverages JBL's newly designed D2 Compression Driver which uses two annular diaphragms and two voice coils to deliver extended high frequency response and very low distortion at very high sound pressure levels. The D2 is mated with JBL's new 2216ND Differential Drive® 15-inch woofer also with dual voice coils, incorporating patented wire that reduces power compression enabling linear output regardless of playback level. With these two extraordinary drivers as the engine, the M2 Master Reference Monitor delivers extended in-room response of 20 Hz to 40 kHz for today's high-resolution recording formats, and remarkable 123 dB SPL at one metre, providing the necessary dynamic range for demanding music and film production.

To allow an imperceptible transition between the two drivers, and deliver exceptional imaging, JBL engineers pioneered a new patent-pending waveguide dubbed "Image Control" that enables neutral frequency response, not just on-axis, but off-axis in the vertical and horizontal planes all the way down to the M2's 800 Hz crossover point. The unique geometry of the waveguide allows the M2 to deliver remarkable high-frequency detail and imaging and natural timbre at any listening position, in a broad range of acoustic environments.

HARMAN's Crown I-Tech HD power amplifiers complete the system, providing greater than a kilowatt of clean power to the 2216ND woofer, and more than enough power for the D2 driver. In conjunction with the M2's revolutionary waveguide, digital signal processing in the Crown I-Tech or BSS Soundweb™ London processor allows the implementation of an ideal crossover, while providing the option for storage of eq presets.

In conjunction with measurement software, HARMAN HiQnet System Architect™ software allows central control of system calibration and tuning to address non-linearity in the room, ensuring a high degree of accuracy particularly in the room-dependent low-frequency area, whether the M2 is free-standing, soffit-mounted or placed adjacent to a wall.

With an efficient form-factor of only 14 inches deep, 20 inches wide and 48 inches tall, the M2 Master Reference Monitor allows flexibility of placement in artist studios, behind the screen, and even LCR configurations in remote trucks.

"Leveraging the best of our JBL technologies, we set out to solve the problems that have prevented the use of large monitors in all but purpose built control rooms," commented Peter Chaikin, JBL Professional Senior Manager of Recording And Broadcast Marketing "We feel the M2 Master Reference Monitor will be a game changer, which for the first time, makes a big, detailed world-class monitoring experience a viable option for artist studios, mastering facilities, small mix stages and screening rooms."

Pricing and Availability:
The M2 Master Reference Monitor will be available spring of 2013 in stereo and surround sound configurations from select JBL Professional dealers.

More information:
www.jblpro.com

WNAMM13: Aphex Processing In A Channel Strip

Aphex says the new Project Channel features everything needed to start recording


Aphex has introduced the Project Channel, which they describe as a channel strip loaded with Aphex's award-winning patented audio processing technology.

A spokesperson told Sonic State, "The Aphex Project Channel, a streamlined version of Aphex's acclaimed Channel processor, has all the essential processing users need to get started: an Aphex Class A microphone preamp, Aphex's optical compressor, Aphex's signature Aural Exciter processor and Big Bottom low-frequency processor, analog and digital inputs and outputs and LED metering. The rear panel includes an XLR mic input, XLR analog output, quarter-inch analog output and S/PDIF RCA output. All of this is integrated into a single-rack-space unit at an extremely cost-effective price point."

Pricing and Availability:
TBC

More information:
www.aphex.com

WNAMM13: Comprehensive Feature Set In A Desktop Computer Interface

The Aphex IN2 offers I/O, mic pres, optical compression and headphone amp


Aphex has introduced the IN2 Desktop Computer Interface. They say that the IN2 is the solution that project studio, home recordists and broadcast production personnel have been waiting for: a single desktop-unit interface with two analog inputs and outputs, two SPDIF digital inputs and outputs, two high-quality Class A microphone pre-amps, volume, mono/stereo dim controls, Aphex's renowned optical compression and the acclaimed HeadPod 4 technology.
Aphex CEO David Wiener told Sonic State, "With the continued increase in desktop-based recording, we felt it was important to apply Aphex's engineering efforts and acclaimed technologies to a new line of USB recording tools. The IN2 Interface will surely find a home as a key part of recording setups far and wide, and we can't wait to hear what users cook up with it!"

An Aphex spokesperson told us, "Other desktop computer audio interfaces are merely basic input/output devices that still require the discriminating user to incorporate external preamps, compressors and headphone amplifiers. The IN2 brings it all – high-quality mic pre's, transparent optical compression, and Aphex's unique HeadPod 4 headphone amplification system. By allowing compression to take place in the analog domain, before going through the A-to-D conversion process, before going through the USB-to-DAW transfer, the best possible recordings can be achieved. Because of the extensive feature set, purchasers of the IN2 are saving potentially thousands of dollars worth of outboard processing and connectivity equipment. With the Aphex IN2, you get it all."

Pricing and Availability:
TBC

More information:
www.aphex.com

WNAMM13: Powered Plug-Ins For Guitar Recording

UA announces Softube Amp Rooms plug-ins for UAD platform and Apollo


Universal Audio (UA) has announced the debut of Softube's Vintage Amp Room, Metal Amp Room, Bass Amp Room, and Acoustic Feedback Deluxe plug-ins for the UAD Powered Plug-Ins platform and ApolloHigh-Resolution Audio Interface.

UA says that, with the addition of renowned Softube Amp Room plug-ins to the UAD platform, owners of UAD-2 DSP Accelerator hardware now have industry-leading guitar and bass amp modeling at their fingertips. And, when used with the Apollo Audio Interface, the Softube Amp Room plug-ins allow musicians and producers to jam, write, and record through stunning guitar or bass sounds with near-zero latency.

Softube Product Manager, Niklas Odelholm, told us, "We're delighted to see our very popular Amp Room products finding their way to the UAD platform. They are a perfect match for Apollo, where you can use Amp Room for directly recording guitar, bass, electric pianos, and other instruments through these world-class amplifiers."

UA CEO and Founder Bill Putnam, Jr. added, "It's extraordinary to have Softube onboard as a UAD Direct Development partner. The Amp Room plug-ins are truly best-in-class, and will put some very inspiring tools in the hands of UAD and Apollo users."

Available as part of an upcoming UAD Software release, the following plug-ins and bundles will be available for purchase via UA's Online Store:

Softube Vintage Amp Room -- $199US

  • Three versatile and classic vintage amps from the 1960s
  • White amp model delivers classic, distorted rock n' roll grit
  • Brown amp model provides warm clean tones, breaking up at higher volumes
  • Green amp model offers chimey-to-distorted tones, plus vibrato/tremolo
  • Detailed speaker cabinet modeling with adjustable stereo mic positioning

Softube Metal Amp Room -- $149US

  • Extreme high gain amplifier model delivers burly, aggressive metal guitar sound
  • Two speaker cabinet models with fully adjustable stereo mic positioning
  • Fast, program-dependent one-knob noise gate -- ideal for palm muting

Softube Bass Amp Room -- $149US

  • Superior model of a versatile 1970s bass amplifier
  • Thick, solid preamp distortion and power amp distortion at extreme settings
  • Includes three distinctive speaker cabinets (Classic, Rocker, and Oddbird) with adjustable stereo mic positioning
  • Separate DI controls allow for blending of direct vs. amped signal

Softube Amp Room Bundle -- $299US

  • The ultimate collection of Softube Amp Room plug-ins for UAD-2 and Apollo hardware
  • Vintage Amp Room showcases three iconic guitar amps from the 1960s
  • Metal Amp Room adds raw, aggressive metal guitar sound to any recording
  • Bass Amp Room delivers the dead-on sound of a classic 1970s bass amp

Softube Acoustic Feedback Deluxe -- $149US

  • True physical modeling of rich, inspiring guitar feedback effect
  • Fully responsive to vibrato, bends, slides, and more
  • Simple controls for level, tolerance, harmonics and subharmonics

Pricing and Availability:
See main text

More information:
UA

WNAMM13: Behringer DJ Controllers With Deckadance

Behringer partners with Image Line to Release CMD Controllers with Deckadance software


BEHRINGER has announced the release of its CMD DJ controllers and an alliance with IMAGE LINE, the company behind Fruity Loops and Deckadance. The full-featured set of MIDI controllers consists of the CMD MM-1 Mixer Module, CMD DV-1 Digital Vinyl Control Module, LC-1 Live Control Module, CMD PL-1 Platter Control Module and the CMD DC-1 Drum Control, all of which will now come with IMAGE LINE'sDeckadance Software. Here's the details directly from Behringer

Professional features such as high quality faders, extensive MIDI feedback, and rotary encoders with bright LED indicator rings are organized into a logical layout on each device ensuring a highly ergonomic performance experience. Additionally, all CMD controllers are class-compliant so the artist can simply plug and play without the need for additional drivers. While all individual CMD components work well as rugged, portable stand-alone controllers for most popular DJ and production software programs, the series is designed to easily connect multiple controller configurations.

The new Deckadance software application provides all features that DJs need to move the dance floor. It features up to 4 software decks, allowing performers to mix different sources to energizing tracks. Smartknobs link a single knob to any number of FX and Mixer interface parameters, while the GrossBeat function in Deckadance provides 8 user adjustable FX per deck, including programmable and automated glitch, stutter and scratch functions. Additionally, Deckadance includes effects, a sampler, plus up to 8 smart panels for user configurable Loop, Cue, Grid, DVS, Key, Smart Knob and Tempo panels. The software hosts VST plugins and can act as a VST plugin in any DAW production environment.

"I am extremely excited by the prospect of working with Image Line and bundling our CMD controllers with the new Deckadance software," stated Craig Reeves, DJ Product Manager at BEHRINGER, who continued, "The new GrossBeat and Smart Knob functionality is unique in the market, and the move to 4 decks makes Deckadance the perfect software package for modular controllers like our CMD line."

Pricing and Availability:
TBC

More information:
Behringer

WNAMM13: 500 Series Rack With A USB Connection

Aphex USB500 can be a USB interface for your DAW or a conventional 500 series rack


Aphex has introduced the USB 500 Rack, a four-slot API 500 Series rack that offers users incredible flexibility. The USB 500 can function as a USB interface, allowing users to connect their 500 Series modules to their favorite digital audio workstation via USB. For instance, the USB 500 could be loaded with up to four mic pre-amps, with signals sent to the DAW via USB, and played back through the monitor section of the rack, which features volume, mono/stereo and dim controls as well as headphone output using the Aphex HeadPod 4 technology. Any configuration of processors installed in the rack can be applied as inserts into a DAW via USB. A user can load the rack with a combination of, for instance, compressors and EQs, and connect them through USB into DAW channel inserts.

Aphex says that this high degree of flexibility allows the Aphex USB 500 Rack to act as a computer audio interface, or as a set of inserts into a DAW, always monitoring the DAW from the monitor section of the rack. It can also function as a conventional analog rack. In either mode users can chain the modules into a channel strip or link adjacent modules for stereo operation.

Pricing and Availability:
The new Aphex USB 500 will be available Q2 2013 at a U.S. MSRP of $949.00.

More information:
www.aphex.com

WNAMM13: A Collection Of Optical Compressors For The UAD Platform

UA bundles three different Teletronix LA-2A plug-ins


Universal Audio (UA) has announced the impending release of the Teletronix LA-2A Classic Leveler Collection for the UAD Powered Plug-Ins platform and Apollo High-Resolution Audio Interface. They say that, picking up where UA's legacy LA-2A plug-in left off, the new LA-2A plug-in collection provides unrivaled emulations of three distinct Teletronix hardware units, right down to their transformers, amplifiers, and aged luminescent panels.

Here's the UA press release with the full details:

The original LA-2A hardware -- still hand-built at UA headquarters in Scotts Valley, California -- is an audio industry icon, bringing smooth, warm compression to anything it touches, especially vocals. With the new LA-2A Classic Leveler Plug-In Collection, Universal Audio modeled the entire electronic path of three highly coveted hardware units -- "Silver," "Gray," and the original LA-2 model -- providing the most authentic plug-in emulations available of this iconic compressor.

"While our original LA-2A plug-in provided a breakthrough rendition of the original hardware, we've learned a lot about analog emulation over the past 10 years," explained Bill Putnam Jr., Founder and CEO of Universal Audio Inc. "Our new Teletronix LA-2A Classic Leveler Collection adds tube amplifier and transformer modeling, improvements in T4 gain reduction nonlinearities, and superior time constant behaviors. Put simply, these are the most musical and authentic LA-2A emulations ever created."

The Bill Putnam-era LA-2A "Silver" model features a fast time constant, making it suitable on all sources, including drums and percussion. The Jim Lawrence-era LA-2A "Gray" model maintains an average time constant, providing a range of "medium-speed" compression. Finally, the LA-2 plug-in models the rarest of original Teletronix units, providing a super-slow compression response and a unique "mellowed" sound due to 50 years of luminescent panel aging.

Additionally, the LA-2A Classic Leveler Collection plug-ins includes presets from famous LA-2A users, including Ross Hogarth (Van Halen, R.E.M., Ziggy Marley), Carl Glanville (U2, Billy Joel, Jason Mraz), Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg), Vance Powell (Jack White, Red Fang, The Dead Weather), and Jeff Juliano (John Mayer, Shinedown, Train).

Teletronix LA-2A Classic Leveler Collection features include:

  • Superior plug-in emulations of revered Teletronix LA-2A Leveling Amplifier
  • Includes three historic versions: LA-2A Silver, LA-2A Gray, and original LA-2 -- each with their own distinctive sonic attributes
  • Models entire electronic path -- including transformers, tube amplifiers, and luminescent cell aging process -- for unmistakable analog color and character
  • Easy-to-use Peak Reduction and Gain controls
  • Includes plug-in presets from famous LA-2A users Ross Hogarth, Jeff Juliano, Carl Glanville, Darrell Thorp, and Vance Powell
  • Ideal optical compression sound for vocals, bass, drums and more

Pricing and Availability:
Available as part of an upcoming UAD Software release scheduled for February 2013, the LA-2A Classic Leveler Collection will be available for $299US via UA's Online Store, or for $149US for current owners of the original LA-2A Leveling Amplifier plug-in.

More information:
www.uaudio.com/uad-plug-ins

WNAMM13: Arturia's Premier Mobile Keyboard Solution

MiniLab offers loads of key control on the move


Arturia has announced MiniLab, which they describe as the world's premier mobile keyboard solution - a stylishly compact and bijou Universal MIDI Controller that's far from being short on features. Here's what they have to say about it...

MiniLab is a USB bus-powered powerhouse, featuring 25 velocity-sensitive mini-keys alongside brand-new pitch and modulation touch-strip controls for maximising musical expression in a highly-portable package. 16 multifunction encoders -- more than those found on any available comparably-sized USB/MIDI controller -- ensure everything is at hand to program or perform, wherever life may take or lead you. And if that's not enough to keep users entertained, two banks of brightly backlit performance pads can be easily assigned as pads, MIDI CC buttons, or program change switches for even speedier interactions with whatever device MiniLab is connected to (via its cleverly-recessed USB bus-power port and sustain pedal input).

Of course, music is where the heart is, and at the heart of MiniLab is the benevolently bundled Analog Lab software solution. With over 5,000 legendary classic keyboard and synth sounds carefully chosen from the Mini V, Modular V, CS-80 V, ARP2600 V, Jupiter-8V, Prophet 5, Prophet VS, Oberheim SEM V, and Wurlitzer V range of Analog Classic software instruments, Analog Lab offers speedy and simple editing with the most essential parameters for personalising presets available onscreen and for tweaking using the MiniLab controls. Notably, those TAE® (True Analog Emulation) synthesis-powered sounds are not sample-based, but are actually running the full synth engine behind the scenes, so offer unparalleled flexibility.

Yet there's more: owners of those individual Analog Classics or the all-encompassing V Collection 3.0 bundle can open an Analog Lab sound, edit it in the original software instrument, then add it to their Analog Lab library, thereby taking their sound and workflow to a higher state of musical interactivity. Speaking of which, MiniLab is also compatible with Apple iPad and iPhone products (using a camera connection kit).

So, whatever way users choose to use it, musical life on the move's just got a whole lot sweeter thanks to MiniLab

"I have been looking forward to finding a portable laptop keyboard that does what I want it to do, with enough knobs and controllers to keep me entertained while I create on the road -- or even between meetings! The MiniLab fits the bill perfectly; it will be my main travelling compositional tool from now on."

- Martyn Ware, 2013 (Heaven 17/ex-Human League, producer for Tina Turner and Erasure)

Pricing and Availability:
MiniLab will be available to purchase from the Arturia online store or any dealer for €99.00 EURO/$129.00 USD from mid-March 2013.

More information:
Arturia

WNAMM13: The World's Most Advanced Audio Console For The Money?

Soundcraft launches the Si Expression digital console range




Soundcraft has launched the Si Expression digital console range, which they say is the most advanced digital console in this low price category. Here's the details in Soundcraft's own words...

Available in three frame sizes, Si Expression 1, 2 and 3 offering 16, 24 and 32 fader and mic inputs respectively, all three are capable of up to a staggering 66 inputs to mix by connecting any Soundcraft stagebox including the two new Mini Stagebox 16 and 32 (16 x 8 and 32 x 16) models also launched today at the show or by connecting additional inputs over MADI or AES/EBU. All external inputs are additional to the connections on the desk itself.

In true Soundcraft style, the mixer is loaded with industry standard processing from HARMAN siblings BSS®, dbx®, Lexicon® and Studer® and many top-end professional features like a colour touchscreen, iPad ViSi Remote control and Soundcraft FaderGlow™, adopted from Soundcraft's Vi Series large format flagship consoles.. FaderGlow is a patented technology that automatically illuminates specific faders in varying colours according to their assignment enabling you to focus on the mix, not where signals might be.

An incredibly powerful DSP engine provides four-band parametric EQ, delays, gates and compressors on every input, parametric and 30-band graphic EQ, compressors and delays on all outputs, as well as four Lexicon stereo effects devices, all capable of being utilised at the same time, unlike most consoles in this class. Soundcraft ViSi Remote allows remote control of the console from an iPad.

Freely assignable fader layers allow you to place inputs and outputs anywhere on any layer, optimising your mix control for the most important channels.

Andy Trott, Soundcraft and Studer's Vice President and General Manager says this is one of the most exciting new developments in his 10 years running Harman's mixer business. "A Soundcraft at this low price point is a departure from tradition for us. The Si Expression is based on new technology bridging the current Si Compact and Si Performer ranges and meets a totally new price point for Soundcraft making this product highly attractive to those looking for a professional console, at a budget price. Other companies will continue to produce 'cheap' mixers, we make professional, high-quality, easy to use mixers in the same price range--which makes the customer's decision easier!"

The console is packed with professional features and a wide range of networking and option cards, the most recent of which is the BSS BLU Link card, also launched today enabling simple and automatic connection to the dbx PMC16 Personal Monitoring System.

Si Expression is designed for all mixing applications ranging from gigging bands, performance venues, installations and tours, corporate AV and theatres to houses of worship and education facilities.

Pricing and Availability:
The Soundcraft Si Expression Series ships in Q1 2013 with a UK price to be confirmed.

More information:
Soundcraft

WNAMM13: Ultra-Compact Digital Mixer For iPad

Behringer launches the iX16


BEHRINGER has unveiled the iX16 Digital Mixer for iPad. They say that designed around a form factor that is equally at home on stage or the house mix position, the unit features 16 digitally-programmable, high-resolution MIDAS-designed mic pres, all controllable remotely from the supplied iPad app. Extensive control options include PC/Mac/Linux over Ethernet or Wi-Fi as well as iPhone/iPod Touch for personal monitor mixing right out the box. Here's more details direct from Behringer...

The iX16 leverages BEHRINGER's extensive suite of remastered digital FX emulations that include classic favorites such as Lexicon 480L and PCM70, EMT250 and Quantec QRS. With 4 true-stereo virtual effects racks, inserts on all 8 buses, 6-band parametric EQ and full dynamics processing, the iX16 delivers all of the power you're likely to need for most recording or live sound applications. Built on a sophisticated 40-Bit floating-point DSP core that offers "unlimited" dynamic range with no internal overload and near-zero latency of <0.8 msec, the iX16 makes no compromises in performance.

BEHRINGER has included their ULTRANET digital audio network technology for direct connection of the iX16 into a network with X32 Digital Mixers or the company's new iQ Networked Active Loudspeaker line, for 16-channel connectivity over a single CAT5 cable. The same system allows for connection of the P16 Personal Monitor system, allowing for up to 64 monitor mixes without consuming a single mix bus on the iX16! Flexibility abounds with the inclusion of a USB 2.0 interface that turns the iX16 into an 18 x 18 channel audio interface.

MUSIC Group Senior VP of Marketing Costa Lakoumentas told us, "The iX16 is a product that makes so much sense for so many users; from houses of worship to gigging musicians and even project studios. You get a full-fledged digital mixer with tons of processing, a USB interface, ULTRANET digital networking and iPad/iPhone control, plus the quality of MIDAS-designed mic pres, in a unit that is as affordable as it is portable."

In addition to its extensive audio connectivity the iX16 also includes MIDI In/Out for remote scene recall or controlling other MIDI equipment. Presets can be saved internally and backed onto a USB drive through the type-A connector that also serves as a stereo recorder directly to flash; a feature that will be appreciated by every engineer the very first time they use.

For recording applications, iX16 features a bi-directional 18-channel USB audio interface that, combined with the 40-bit digital mix engine, elevates recording to a new level of sonic clarity. A Virtual FX rack is also included with 4 true stereo FX slots including high-end simulations such as Lexicon 480L, PCM70, EMT250 and Quantec QRS, etc. ULTRANET connectivity works with the BEHRINGER P16 Personal Monitoring System to further enhance both live and studio applications.

The BEHRINGER iX16 allows serious audio professionals and the novice alike to harness the power of the iPad with a state-of-the-art professional audio interface.

Product Features:

  • iPad* controlled 16-input, 8-bus digital mixer for studio and live application
  • 16 MIDAS-designed, fully programmable mic preamps for audiophile sound quality
  • 6 TRS aux sends and 2 XLR main outputs plus phones connector
  • 18 x 18 channel USB 2.0 audio interface
  • iPad* and PC apps available for remote operation via Ethernet, LAN or Wifi**
  • 8 buses each featuring inserts, 6-band parametric EQ's and full dynamics processing
  • Virtual FX rack featuring 4 true-stereo FX slots including high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.
  • 40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latency (0.8 msec)
  • Scene management allows full storage and total recall of your setups
  • USB type-A connector providing file storage and uncompressed stereo recordings plus show presets and system updates
  • Integrated ULTRANET connectivity for BEHRINGER's P-16 Personal Monitoring System**
  • MIDI In/Out for remote scene recall or controlling other MIDI equipment
  • Future firmware updates downloadable from behringer.com free of charge
  • Conceived and designed by BEHRINGER Germany

Pricing and Availability:
TBC

More information:
Behringer

WMAMM13: Dave Smith Unveils The Prophet 12

12-voice polyphonic synth makes its debut at the show


Dave Smith Instruments has introduced a new polyphonic synthesizer, the Prophet 12. He had this to say, "After 35 years of creating synths, this is simply my best synth yet. We sort of started from scratch on this one rather than spinning off another product from our previous designs."

At twelve voices, the Prophet 12 boasts the greatest polyphony of any instrument designed by Smith. Each voice features four oscillators capable of generating classic and complex waveforms, a sub-oscillator, resonant analog low- and high-pass filters, and analog VCAs. The new Character section adds a variety of wave shaping and sound sculpting options, like Drive, Hack, Decimation, Girth, and Air. Additional features include a tuned feedback path, a four-tap stereo delay per voice, expanded arpeggiator functionality, deep modulation capabilities, and bi-timbral operation. The LFOs, delay, and arpeggiator can all be synced, either to the internal clock or an external MIDI clock. Two programmable position- and pressure-sensitive touch sliders take the performance controls beyond the standard pitch and mod wheels (also included).

"We're already blown away by the sonic breadth of this synthesizer's new voice architecture," Smith continued."It doesn't sound like anything else and I'm very excited for people to hear it."

Pricing and Availability:
The Prophet 12 is expected to be available Q2 of 2013 with a projected MAP of $2,999.

More information:
Prophet 12

WNAMM13: Novation LaunchKey Video

iPad integration, app switching and more



Combining the regular MIDI controller keyboard with 16 Launchpad style keys and a couple of iPad apps for clip launching Launchpad App and keyboard LaunchKey app. It also integrates with your usual DAW stuff too!

WNAMM13: 'King Korg Video

Performance synth with a valve


Enjoy.

More Information
Korg.com

WNAMM13: Waves Introduces New Graphic EQ Plug-In

Selectable cut and boost at 1/3 octave intervals


Waves has introduces its GEQ graphic equalizer plugin. Developed primarily for live users (but sure to find a home in the studio as well), GEQ features selectable cut and boost at 1/3 octave intervals, using two unique filter types.

GEQ Features

  • Classic component with proportional Q
  • Modern component with independent non-interactive filter types
  • 30 ISO bands
  • 6 dB, 12 dB, 18 dB selectable cut & boost
  • Independent HPF, LPF and a parametric bell per side
  • Zero latency
  • 2 input RTA with external input options
  • RTA input difference mode with auto-suggest function
  • Link L/R
  • Touch Support with Fader Draw functionality

Pricing and Availability:
The GEQ Graphic Equalizer Plugin will be available soon with U.S. MSRP TBA.

More information:
Waves

WNAMM13: Waves Introduces Manny Marroquin Signature Series Collection

Custom plug-ins from Rihanna's mix engineer


Manny Marroquin Tonal Shaper

Waves Audio has announced the Manny Marroquin Signature Series Collection, custom plugins developed in collaboration with GRAMMY Award-winning mix engineer Manny Marroquin (Rihanna, Maroon 5, Shakira). The collection consists of six plugins: Delay, Reverb, EQ, Tonal Shaper, Distortion and Triple D(DeEsser, DeHarsher, DeBoxer).

About the Waves Signature Series
The only tools of their kind, the Waves Signature Series is an exclusive line of customized plugins, created in collaboration with the world's top producers and mixing engineers. Each and every Signature Series plugin has been precision-crafted to capture the artist's distinct sound and production style, using custom multi-effect processing chains designed by the artists themselves. For experienced and aspiring audio professionals alike, the Waves Signature Series streamlines the mixing process, delivering high-quality results, instantly. For experienced and aspiring audio professionals alike, the Waves Signature Series currently includes plugin collections developed with GRAMMY® award-winners Chris Lord-Alge, Jack Joseph Puig, Tony Maserati and Eddie Kramer.

Pricing and Availability:
The Waves Manny Marroquin Signature Series Collection will be available soon with U.S. MSRP TBA.

More information:
www.waves.com

WNAMM13: Arturia Redefines The Drum Machine

Arturia announces the launch of SparkLE Creative Drum Machine


Arturia has announced the launch of SparkLE Creative Drum Machine, its newest hybrid beat production centre which they say 'redefines the drum machine'. They tell us that it combines intuitive hardware hands-on control with software strength and integration. Here's the rest of what Arturia has to say...

Quite simply, SPARK Creative Drum Machine revolutionised hands-on beat-making by cleverly combining TAE® (True Analog Emulation) synthesis, sample playback (with multiple layering modes and post-processing), and physical modelling technologies with the intuitive workflow of a hardware drum machine upon its June 2011 launch; today, SparkLE Creative Drum Machine joins its bigger brother to take this concept to the masses in an all-new, ultra-portable package at a takeaway price point that's tough to beat (€249.00 EURO/$299.00 USD).

The solidly-constructed, super-slimline SparkLE Creative Drum Machine hardware measures a mere 1.6cm in depth and comes complete with a handy neoprene slipcase to take your beats to the streets with that 'real instrument feel' so many other controllers clearly lack. With it comes direct access to all the features needed to create patterns, write automation, and perform live.

SparkLE Creative Drum Machine serves up classic 'TR-style' workflow via its brightly backlit step sequencer buttons, while a musical platter of bangin' beats can quite literally be banged out using its eight velocity- and pressure-sensitive backlit pads. Stunning live performances are a breeze thanks to the advanced Looper and beat-slicing functions, while beats can be transformed on the fly with the touch-sensitive FX pad that features eight filter modes (including the famed Oberheim SEM V filter featured in Arturia's acclaimed Oberheim SEM V soft synth namesake) and seven Slicer modes. Three assignable encoders ease writing automation and realtime sound control. More musical still, TUNE mode permits playing sounds chromatically across those 16 step sequencer buttons or eight pads -- try having the kick drum follow the bass root note for truly trouser-flapping lows, play a synth bass/lead sound, or transform percussion sounds into pitched instruments... it's all there for the hands-on taking!

Software-wise, SparkLE Creative Drum Machine makes use of the same full-featured Spark Engine software shipping with the original SPARK Creative Drum Machine. It includes an awesome library of over 1,500 instruments and 100 kits, providing top-notch, professional sounds covering a variety of dancefloor-friendly genres and stylings, ever-expandable with Arturia add-ons (like the Hip Hop Essentials and DubStep Essentials Expansion Packs).

Priced to go, there has never been a better time than now to add a little sparkle to your rhythmic creativity with SparkLE Creative Drum Machine!

Pricing and Availability:
SparkLE Creative Drum Machine will be available to purchase from the Arturia online store or any dealer for €249.00 EURO/$299.00 USD from mid-March 2013.

More information:
Arturia

WNAMM13: API Plug-In Collection For UAD Platform

Features API 550A and 560 EQs


Universal Audio (UA) has announced the impending release of the API 500 Series EQ Plug-In Collectionfor the UAD Powered Plug-Ins platform and Apollo High-Resolution Audio Interface. They tell us that this API-endorsed, UA-developed collection features superior emulations of the legendary API 550A 3-Band and API 560 Graphic equalizers -- two of the most popular and enduring audio equalizers ever made.

Designed by API's Saul Walker in the late 60's, the 550A and 560 modular EQs featured Walker's signature 2520 op-amp and proportional Q circuitry. For the API 500 Series EQ Plug-In Collection, UA's industry-leading circuit modeling team expertly captured the filter shapes, band interactions, and unique filter amplifier clipping behaviors of vintage API 550A and 560 units to exacting detail. The result is tight, low-frequency imaging that gives users that legendary API punch.

Additionally, the API 500 Series EQ Plug-In Collection includes presets from several famed engineers and producers, including Ross Hogarth (Van Halen, R.E.M., Ziggy Marley), Vance Powell (Jack White, Red Fang, The Dead Weather), Eli Janney (Jet, Ryan Adams, Wilco), Jeff Juliano (John Mayer, Shinedown, Train), Carl Glanville (U2, Billy Joel, Jason Mraz), and Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg).

"With the blessing and assistance of API and the hard work of our top-notch DSP team, we're proud to be releasing industry-leading emulations of the API 550A and 560 EQs," says CEO and Founder, Bill Putnam, Jr."We're thrilled to be adding the iconic API sound to the UAD Powered Plug-Ins platform."

"We are very pleased to see the development of API plug-ins for the UAD platform," said Larry Droppa, API President. "The sonic integrity and audio performance of API products has always been our primary focus, and UA has demonstrated a proven track record with these same goals. We look forward to much success with this EQ collection and other API introductions to come."

API 500 Series EQ Collection features include:

  • Superior, licensed plug-in emulations of the most enduring API 500 Series EQs.
  • API 550A discrete, 3-band bell/shelf filter set.
  • API 560 discrete, 10-band graphic filter set.
  • Models entire electronic path, including custom API 2520 op-amps and transformers, band interactions, and internal clipped filter nonlinearities.
  • Licensed and endorsed by Automated Processes Inc.
  • Includes presets from famed users Ross Hogarth, Jeff Juliano, Carl Glanville, Darrell Thorp, Vance Powell, and Eli Janney.

Pricing and Availability:
Available as part of an upcoming UAD Software release scheduled for February 2013, the API 500 Series EQ Collection will be available for $299 USD via UA's Online Store.

More information:
Powered Plug-Ins